Campaign to get Points Gray album by Robert Dayton, Dan Bejar, and Julian Lawrence released

Soooo I am VERY excited as we are currently undergoing a campaign to get the Points Gray album by Robert Dayton, Dan Bejar, and Julian Lawrence released.
If interested, please click on the link below for more info and to pledge and if you could share it with and pass it on to any potentially interested parties that would be truly appreciated. Thirty dollars gets you the actual album and there are plenty mor eperks:
http://www.indiegogo.com/PointsGray

This is a moody distinctive album from around the turn of the century that has never gained full, proper release before. It's an album that the three of us are quite proud of and want to find its' audience. With this LP Robert, who is also a visual artist,has designed a brand new cover, it will come with a lyric and art booklet, and it will finally receive quality mastering done by Josh Stevenson who had previously mastered such things as a Destroyer reissue and the second July Fourth Toilet album as well as recording such acts as Sex Church. With liner notes by music writer and archivist Kevin "Sipreano" Howes.

July Fourth Toilet- recorded musical selections with wild footage

July Fourth Toilet music accompanied by silent footage of a glammed out show at The Brickyard, Vancouver, Canada, early 2000s? It's got bubbles, balloons, kisses and more!
July Fourth Toilet are Canada's wildest and most unpredictable band ever. July Fourth Toilet-Twinkle Bell/Land Of Fruit/ The Emblem Is In Your Control/ Sweet Gnome/ Deep Sea Diver

More here:
http://julyfourthtoilet.bandcamp.com/

LOOKING BACK

Going through my files for a project and found some gems from the past!
This first one is a drawing of Canned Hamm made by Jason Mclean and Marcel Dzama



Here we have a rare moment of Big Hamm and myself backstage before a Canned Hamm show, we truly look like old vaudeville comedians here.



This is us way after a show with The World Provider at an odd late nite Montreal bar, apparently I was singing "Iron man, Iron man, na na na na na iron man..."



Here's me experimenting with moustache length with Pro Hamm AKA Pete Mills, who was responsible for the production on the Canned Hamm albums, with the first album he understood our love of 70s Beach Boys but also added auto-tune as a special effect (this was back in 2000) keeping it forward thinking, and he made our dance-pop album sound much bigger than it was in terms of budget. He's currently producing and making music in LA . Him and Big Hamm are so insanely musically talented, real 'can-do' fellas.


Olllld pic, just pre-moustache, very early 90s with roomie Julian possibly before we formed July Fourth Toilet, Julian's another talented egg, verrrry versatile musician (you'd have to be to play in July Fourth Toilet who'd change styles at whim)/cartoonist/record collector.


From July Fourth Toilet's tenth anniversary show, Jasmine played the Lady Byrd and I was Bernie Byrd from our live rendition of K-Tel's Rock Fantasy LP:

SIGNIFICANT LIFE EVENTS OF THE DECADE

It seems that many blogospherical people are making "Best of the Decade" Lists or are, at least, reflecting. Guess I best reflect as well. No "Best Of Music Books Film Etcetera" for me. That. my dear, is so played out and borrrring. This is Robert Dayton's Blogspot. This time it's personal and self-indulgent. Hey, maybe it'll cause you to make your own list. No Best Of for me, either, just significant events, I don't want to fall privy to hierarchical thinking either, let time sort it all out. This list is a good way to get my back, to not to sell myself short, I've done a lot, maybe that's the problem: the world ain't caught up yet, ha. I don't want to get too nostalgic but maybe this 'where I been' will help with the 'where I'm going.' And feel comfortable with 'where I am' but not too comfortable (stay hungry). I've never gotten stuck on the good old days. Ever since I was a boy buying my comic books in the store and a fella in line told me how I better enjoy my life as 'school was the best years of his life.' This scared me. Looking back, I just feel sorry for that guy. There's a lot of people like that.



(pic by Clancy Dennehy)

SIGNIFICANT LIFE EVENTS OF THE DECADE
(done in no chronological order)

-My Dad died, he wasn't my Birth Dad but he was my Dad and though he wasn't talkative, he loved me and had a sense of humour. Went back home to see him a few times thinking it would be the last time, I could have gone a few more. I do my best to make sure to be there for my Mom.

-My brother Perry got married. I have three brothers, no sisters, he may be the only one to get married. And it was while I was there that I saw my Father's grave for the first time five years after he died.

-My cat Flo died. Tumours on the tongue. She was always there for me meowing and sleeping on my chest. A calico cutie.

-I fell in love three times.


-Me and the third love moved to Toronto. Never lived outside of BC before.

-That love moved back to Vancouver. I am still dealing with this and do not have proper perspective. UPDATE:I know as of twenty minutes ago that it is truly over and I best move on, I'm so fucked up and scared at this moment.

-Became disillusioned and feel that I am of no fixed address. I have no home.

-Met a lot of very interesting people at home (ha ha) and abroad in many walks of life, became friends with some. Maintained and treasured many very longterm friendships. Patched some up and made amends with some for mistakes made. And collaborated with some very wonderful and talented people!

-Had dalliances and relations with a LOT of women. I don't regret it but sometimes I was out of line, insecurity and fear of being able to be monogamous played a part. The last half of the decade featured more serious relationships, strengthened by what follows next.

-I stopped drinking. This helped me to get some self-respect and health back as well as to not doing things I'd feel horribly guilty for. Hopefully slowed down self-sabotage as well. I also started eating better, and living in nicer homes (ie. I moved out of an illegal bsmnt suite, a box really, when it flooded and destroyed some rare records).

-Always paid rent on time even when things looked scary.

-Became less judgmental. Thank God, it helped with my bitterness and to see people as people on their own terms.

-Starred in a movie called "Male Fantasy", a part which I think was written for me. It played a lot of festivals, was well regarded and is now out on DVD. It led to getting a great agent and lots of weird commercials and some TV spots.

-Acted in a Manson movie in a role that was written with me in mind. A small role but supported me for a while in Toronto. Now if I could just get an agent here. Movie goes into wide release in a few months.

-Recorded 9 albums.
Released six albums on our own and did well considering!
Four were with Canned Hamm: one was song-and-dance catchy funny synth pop; one was a tribute to that with Destroyer, Mark, New Pornographers and Rodney Graham, Frenzal Rhomb, Neil Hamburger, Bobby Conn, Nardwuar, and more; one was total glossy dance-pop; one was an X mas album; and Big Hamm is a musical genius ready to always look forward and not rest on his legendary laurels.
Two were with July Fourth Toilet: the first was warm charming bent psych pop, the second was hard driving psychedelic biker boogie and eerie soundscapes and ballads that my brother Frank played incredible guitar on with very very talented long-ti,e musical collaborators that are more open-minded than most.
Unreleased albums but should be released and I wish I had the resources and/or finances to make it happen: Points Gray, this may've been started late 90s, formerly called AIDS (way pre-AIDS Wolf), with Dan Bejar and Julian Lawrence, we wanted to do acid downer folk as no one was doing psych-folk at the time, when people started doing psych-folk we were way too damaged melodramatic vanity pressing sounding, ie. not watered down like most of that revival crap and we were individualistic, it did inspire Dan for his This Night album with Destroyer so it had some good effect indirectly and Steve Balogh did a limited CDR release. Hallmark, my melodramatic romantic glitter rock band, I wanted to move beyond the overtly funny but as normal as I was trying to be it still came out odd, recorded at JCDC so it sounds great, interesting dynamic of folks, I really want it to come out, I know at least a couple of us want to tour it. WET DIRT: hard rock Toronto damaged 4 piece band , recorded at 6 Nassau, currently in rough mix stage.

-Toured all over North America a lot as well as Australia in Canned Hamm. Many tours were with Neil Hamburger. One with Bobby Conn. One tour to Montreal was due to Musique Plus popularity for a music video. On one tour Tim and Eric opened with their videos in Philadelphia. One tour in Eastern Canada in the winter almost broke us up. We worked hard and mostly did it ourselves (peers did pitch in and help and support, of course), we were frustrated that it could never break through to the next level , we got a lot of media attention considering that. Is it that we were too funny for music and too musical for comedy or that we reside in Canada? We are still ready and standing by.

-With July Fourth Toilet no two shows were the same and musical styles fluctuated as did personas, see the theme running through my life: CREATIVE RISKS IN EXPRESSION. too many people are too scared to fall flat on their faces, I've done it and I've even been scared to leave the house afterwards but it has to be done to move forward. Sometimes I was tempted to quit completely but that's a confidence thing (and I'm gaining it back dammit).


-Co-created and co-edited a free unique Vancouver monthly newspaper called The Drippy Gazette. It lasted one year but it was then that I knew that what I do (and what many of my peers do) is not of marginal taste or value (many of these peers are getting quite successful). The public loved it, great feedback. But we just couldn't get to that next level, we couldn't get a backer, there was a glass ceiling. It has always been hard to get it to a wider audience and distribution and make some money. I hate being DIY and I notice that time and time again what I do can really reach people but it's the money-holders that never care. Through this newspaper, Julian got a Xeric Grant (Teenage Mutant Ninja Turtle money) to do a comic book and Lester got a job designing crazy tee shirts for Bang On after I convinced them to buy an ad and to have Lester design it. As well, some of Tommy's restaurant review columns for Drippy ran in the Nog-a-Dod book.

-Wrote a regular column for a free weekly Vancouver paper. Though I wrote it for free, I had carte blanche to take creative risks and reach a lot of readers. When they took my carte blanche away and the editor started treating me poorly, I left- I was writing for free, I didn't need the grief and, besides, writing for free takes work away from other writers as it undervalues them and makes backers think content can be free even though they run ads. Yes, the column gave me a certain cache and an opportunity to say something (creative nonfiction/experimental fiction/music/art/film/comics) and get me girls and guest lists but it also allowed my ego to run rampant and did not really lead to any serious writing opportunities whatsoever- was this because of location or because weeklies are disposable flotsam?

-wrote for numerous other magazines (Roctober, Cinema Sewer) and had some stuff in a cool book on Neglected records. Helped write an unreleased but filmed script and wrote a couple myself, will write more.

-Had art in magazines and Cinema Sewer books and Nog a Dod book. Numerous posters. Was/am in many group art shows. A solo show or two, one at Luckys. In a couple two man art shows with Jean-Paul Langlois. Constantly looking to expand my boundaries technically and otherwise.

-Made a series of self-help booklets.

-Did a lot of hosting as various personas and myself for variety shows that I put on. Also have done plenty of solo performances and story telling/comedy/improv. Lots of DJing as well.

-Started a small company for viral videos. Was careful in finding a tech collaborator but not careful enough as my collaborator fucked it up and essentially fucked over our first client and it was on my shoulders as they trusted me. This made me feel sick to my stomach and I had to walk away from the company.

-Walked away from a couple horrible day jobs that were ruining my quality of life. I've had some pretty awful jobs that required checking my self-respect at the door. I do not regret, however, working on the Downtown East Side, it was a worthy experience! The last few months though were truly awful as I had to work alone and no one should work alone on the DTES: the stress aged me- the age washed away when the job ended, luckily.

-Took training in acting and singing and typing to improve my passions.

-Had sinus surgery to improve my quality of life. Deviated septum. Not a nose job!

-Had the underside of my tongue cut to help with my vocal delivery. I enunciate better now.

-On allergy shots for better clarity of mind, quality of life, and vocal delivery.

-Trying to get out of self (this list isn't helping) and to listen more.

I'm sure there's more. Tell me about your decade.


WHAT'S NEXT?

BANDS OF BROTHERS



Almost nap time then button show then getting geared for playing all Bee Gees tonite at FEELINGS, so into playing them in a public place hearing it all around in a social setting affecting moods and hopefully turning people on in the process.
I love brother bands. In my collection the artists I have the most records of are by the Bee Gees, the Beach Boys, and Sparks. The connection of blood to make music, it can be very strong. The Gibbs would be walking down the street, one would start singing a line and another would finish: that connection.
My oldest brother Frank turned me on to a lot of music as a boy. It's funny, he's never online so he won't read this, but he once made a tape for me that influenced me sooo much, especially in regards to two songs that I put up there with Cocktails for Two and They're Coming to take Me Away Ha Ha in terms of personal influence. These two songs are Crazy train and Unchained. They have an energy, a crackle, dynamics, personality, performance, production, neat sounds, an immediacy, and a sense of playfulness that I was drawn to (the following are live examples so are missing some of those details but you know what I mean):



I'm sure what drew my brother to it were the guitars (it's Randy Rhoads' birthday today, I should note). My brother is a great hard rock guitarist. After being so involved in the rodeo circuit as a teen, he then grew his hair out and proceeded to practice practice practice the guitar. Then moving to Vancouver and touring touring touring, a van with dirty polaroids stuck everywhere, lotsa stripper girlfriends. A hard rock Stones trib called STIKKY FINGERS- yup, two k's! Another band called Aces High. Vancouver-based Beauty Kills seemed poised to go somewhere, always playing the local metal bar Club Soda, an unknown Alice In Chains even opened for them once.
Eventually he put the guitar away.
Later I'd get him out to play sporadically in July Fourth Toilet.
He started playing again in another band as well.
When July Fourth Toilet started planning our second album I wanted him on it!
I wanted to play with my brother!
Annnd for all his amazing talent, he's never cut a vinyl LP!
Just got a nice review from a reputable psych site in England that spotlights his and Julian's guitar playing on our record!! Yeaahhhh!
http://www.terrascope.co.uk/reviews/Rumbles_November09.htm

Or just read here:
Riding their truck through a cornucopia of styles, the oddly named July Fourth Toilet are a force to be reckoned with on theirs album "Balls Boogie", a disc that has stoned running through its centre, clear as a stick of cannabis flavoured rock. After a ramshackle, but oddly compelling version of "Me and Bobby McGee", the band suddenly shift into hard rock biker boogie mode, as "Hard Working Man" roars out of the speakers, a full on rock guitar solo adding to the wonder, as does a nice change of pace in the middle, bring it on and turn it up. The hard rock then continues with the heavy stomp of "Kentucky Whore", more guitar histrionics included, as the song winds up the energy. Next up, another change of style as the sad country ballad of "Stoned on You" sparks up a fat one, seemingly the story of a man who’s woman has left him, it is a bit of a surprise to find out she is in prison for murdering someone, a nice twist that is complemented by more fine guitar playing and a solid backbeat. Following the tale of "Armwrestle John", more heavy rock with over the top vocals and moody guitar riffs, the first side finished off with the boogie of "Name on the Door", everything turned up nice and loud. So far so good, then you turn the album over to be greeted with "Thanks Drugs" a song that pays homage to recreational drug use, opening with the lines "Been distorting time and space again", the ever versatile guitarist dropping into west coast mode, without missing a beat. After this things get re-wired, the band turning into early Floyd with the psychedelic jam, strange noises, twisted dementia and general sonic weirdness of the next four tracks sounding like nothing on side one, the band proving themselves adept as this side of thing as well. To end, the happiness and joy of "Cute Little Baby" is tempered by a gnawing fear of what the future may hold, ending an album that is schizophrenic, slightly paranoid, happy drunk, stoned and laughing. The makings of a good night perhaps.

(www.julyfourthtoilet.com)


I wish I knew how to post an MP3 to listen to, go to:
www.myspace.com/julyfourthtoilet I guess
And you can order it or find where to buy it here:
http://www.julyfourthtoilet.com/gnome.html
And here's a pic of me and my brother Frank Ackerman playing it: