Julian Cope wrote, " What do I say of a reprobate eight man/one woman ensemble ...that just delivered 13 songs of extreme diversity, ranging from Death C&W to Soviet-powered Detroit Space Rock, via wonderfully excruciating mush-mouthed male-female Vow Renewals and Sober’d Up confessionals. For fans of Destroy All Monsters (all periods, kiddies), Armand Schaubroeuk Steals, the Afrika Corps."
"If people in Vancouver had any taste or intelligence they would have long-ago embraced and canonized this ambitious, outrageous bizarrely brilliant performance art rock band that surveys pop history's greatest moments and transmutes them into weird gold", then this is the new album by the legendary (italics) July Fourth Toilet. Paying homage to the finest aspects of the 1970s; the weary magic of Kristofferson's voice, hair salon culture (and its cultural brother, the arm wrestling fad), shameless drug use, and ess eee ex (italics)! When I say this record is heavy, I mean some kind of otherwordly heaviness that Jack kirby would write about in one of his doesn't-quite-make-sense, making you question his ability as a writer Fourth World pseudo-science moments! Seriously heavy!" -Roctober Magazine, 2009 "Riding their truck through a cornucopia of styles, the oddly named July Fourth Toilet are a force to be reckoned with on their album Balls Boogie"
-Ptolemaic Terrascope Formed 1994 with a no 2 shows the same mandate and continued for 25 years, July Fourth Toilet ritualistically combines and transcends pop songcraft, versatile musicianship, etc, named by Gregg Turkington and John Singer of Zip Code Rapists from the Turkington list.
