SMALL TOWN

Okay, I have a lot -A LOT- of art to make, noooo time, but I am tired of printing glorified press releases on here, I have stuff to say! It's funny, I was wondering lately exactly why I blogged, haven't I been trying to shun Narcissus since my old zining days (and zines really are not that different from blogs in a quaint way)...but I like writing, I like conveying, I like expressing, I like thinking, I like interacting with people. It's also a good way to keep folks in the loop. That said, I want to build my listening skills because people are interesting. Annnnd (total aside: oh man, I am listening to Max Webster now and it is giving me a total rush cuz I am listening to "Battle Scars" which is the song that they did with Rush) this blog helped to land me an office day job! Yes, they googled my name knowing that I must have a blog, they then read the blog and noticed that I am a real human being with a sense of humour. This job does not relate directly to creative expression or blogging at all, except in terms of getting along with and relating to others. As well, I found this out today: I never check the stats on here but someone from a blog that is listed in my sidebar says that a lot of people visit their blog through mine! NEAT! Well, all those blogs are worth checking out in their own ways so that's great! Keep engaged! I gotta get on this stats thing.


This month has been intense. It will take up a few blog posts to be sure. As well as landing a job and other surprises to be revealed forthcomingly, my brother Perry got married in Nipawin, Saskatchewan. Ever been? No? Don't go. Okay, I am so glad I went to this wedding. I am so proud of him, he's a paramedic, she's a nurse, they save and help lives.

So before we get to the meaningful, let's start with the bad. Nipawin. If you have any ideals about small town living, Saskatchewan in particular, I would like to destroy them. My Mother has lived in many Saskatchewan small towns and she has always felt like the outsider. These towns are insular and xenophobic. Open mouths and closed minds. Nipawin was slightly different in that the mouths were closed as well, yet it truly embodied the worst qualities of small town Saskatchewan (Saskatoon and Regina are cities and are exempted as they are really great places in a lot of ways). I had many conversations with the people of Nipawin, the conversations mostly went just like this:

US (ie. ME): Hi. How are you?

THEM: Good.

(then silence)

They also put meat in their potato salad- and probably everything else! Foraging for food when one don't eat much in the world of meat was difficult. Oh, and they all drink booze, lots of it. So I was double weird to them. But I don't feel weird. They feel weird. And that makes me feel weird.
And they stared- alot! They'd sit together but not welcome others. This was one seriously creepy town.

While there I hit a thrift store and purchased a pristine Jimmy Smith Blue Note jazz Lp and an odd seven inch Joey by The Macklin Allouettes for a dime. Putting it on my turntable I noticed this Made In Saskatchewan single was from the perspective of a baby to its' mother. Nice. Then we get to the third verse:

Someday when we meet
On the far off shore
You will see this child
That you could have bore
And your earthly pleasures will all have passed by
And to God up in heaven
You cannot lie
When he says why you didn't
Let me tell you
Mother oh mother, how I love you


Yup. Xtian anti-Choice spiritual blackmail threats, a ballad that uses Jack T. Chick methods of guilt. Never before has such a soft song induced extreme waves of nausea. I will be spinning this at an inappropriate DJ night. One day I may even get an MP3 converter to post on here! (note: please send me an MP3 converter. Thank you.)

So going to the wedding was a touch difficult. And not just because of drunken uncles with rather Draconian immigration beliefs. Two weeks before, my girlfriend left to go to Vancouver for good, for reasons completely outside of my control. Before she left I brought up marriage. A measure for the women I love most? Marriage never seemed an option for me but it represents-when not used to keep someone in the country or as trade for cattle and property-a furthering of commitment and unity. She still had to go...for good. I've been around. And I can honestly say that I have never been in such honest and compatible love before. I struck gold with this one. And people say that it gets easier as one gets older, that one's heart hardens, and love mellows with age. (though I don't feel old- I feel younger than I did five years ago- but I have lived a little) This past month proves all of those maxims wrong. That's kind of a plus in a way, to know that one can fully love and be joyous at any age and, when things end, can feel things strongly as well (but who knows what the future holds anyways right? Is anything truly over? Especially when neither party wants it to end). I am so sad and feel so helpless. Single life, adrift....

But I was happy for my brother. He seems so in love. And I think that this is a good thing. I wasn't worried about him in the slightest. They get along very well. It was a celebration. He threatened a Shrek-themed wedding. I envisioned him painted green. Alas, this was not so but there was Shrek cake with the Shrek couple on it! I am not a Pixar person so have never seen Shrek but the cake made me smile. And it meant so much to be there for him.

This trip really deepened things for me in terms of family and friends. As well as the fragility of life. The important things. I was able to express to friends of the family, who have been there time and time again for us, just how important they are. The friends who sent fun packages to my dying father to cheer him up. The former youth minister who I found out had met us first as, to quote the min Minister at the time, a family in trauma, a sort-of project for him. Soon he became close to us and vice-versa. When my Dad (my real Dad not my birth dad) came into the picture, he conducted the wedding (my Dad gained a wife and four sons all at once). When my Dad died he conducted the funeral and helped us to remember the man our Dad was. And he was there to conduct my brother's wedding. He also gave me a sketchbook of drawings that I gave him when I was twelve. This was such a meaningful gesture. To see these drawings again years later, to see where I've been and how little I have changed core-wise. I still have trouble drawing feet. I will be posting those drawings soon, by the way!!!
I kept close to my mother, I worry about her.
I danced with my aunt.
I got a better understanding of one of my brothers which was needed. After the wedding festivities ended, we drove to our father's grave together. A cat was lingering around the tombstone. I felt like my Dad was drawing the cat to him. I didn't voice things aloud. A few mutterings. My mother's place was set. "I'll hold the door open for you." That is what my Dad told my Mom and that is what was on the tombstone. He was a good man. When I think of terms of positive impact, of affecting others, of making people less lonely, it is in terms of creative expression but my Dad was not creative or even that talkative. But he immediately transformed five lives (my Mother and brothers and me). I was fucking lucky, man! Reading Michael Moorcock's books on The Multiverse -besides teaching me about the spiritual elements of the vast, nearly unknowable cosmic fabric- helps me to see how things can go very differently at the drop of a hat. If my Mother had never divorced my birth father when I was three, I probably would have put a gun in my mouth when I got older. That man was not good. I was the youngest son, I had the least scars. So lucky that a great man stepped in to raise us, dinner conversations full of snot jokes and laughter.

My mother and I stopped into All Citizens, half an hour from my father's grave, an hour from Saskatoon, which is the neatest shop, a mecca in small town Saskatchewan with an espresso machine, Saskatchewan and international art and crafts, really pleasing decor and live shows. And, yes, they are up for touring acts and consignment. Check it here:
http://www.allcitizens.org/

It made me think again of community, reaching others in a way that does not necessarily relate to the fame game, an honesty.

Nipawin made me think about the open interaction I have on a daily basis in the big city. The city doesn't even feel big, there's enough meaningful interaction to make it seem intimate and to combat the bullshit factor. Cities are said to be cold, any place can be, people are naturally lonely all over but if there are ways to make people feel less lonely it's a good thing.

NEW ROCTOBER with DOUG RANDLE


Folks, I'll blog something non-promotional soon but I got a new job, busy and tirrrred. The "Leslie" premiere went super-well tho! It gave me a real boost!
Anyways, I got the new ish of Roctober in the mail! Packed as usual! Super-proud of the Doug Randle interview that I did, he's a very inspiring man with a lot of perspective that made an interesting Can Con soft pop record of pertinent themes. I also reviewed tonnes of awesome comix (a regular thing for me now). This issue has loads of stuff on Sky Saxon, Chicago underground, Nardwuar meets NERD, lots and lots of comix!
Order here:
www.dustygroove.com

Hear a Doug Randle track here:
http://www.lightintheattic.net/releases/dougrandle/

Leslie, My Name Is Evil....


I plan to blog something meaty soon, lots to say, but here's some self- promo:
"Leslie My Name Is Evil" premieres Monday September 14th at TIFF, 6:30 PM at Varsity 8. I have a small part as a slimy ponytailed juror...Wheee!

WET DIRT plays Hunter and Cook launch


We're on earrrrly (doors 9)....

Hunter and Cook Issue 04 is being launched at Wrong Bar with performances by

Horsey Craze (the Neil Young cover band by Will Kidman & Dallas Wehrle of the Constantines) ,

Josh Reichmann Oracle

and

Wet Dirt

Thursday, September 10th
doors open at 9
Wrong Bar
1279 Queen st west
Toronto

$10 cover ( includes new issue of Hunter and Cook)

Issue 04 features Alex Morrison, Liz Magor, Mark Lewis, Life of a Craphead,Jessica Eaton, Jennifer Murphy, Micah Lexier, Luis Jacob, Claire Greenshaw, Jimmy Limit, Aaron Carpenter, Emma Gendron, and El H

ZINE DREAM 2


ZINE DREAM 2
SUNDAY AUGUST 30th 2009 @ TRANZAC (292 Brunswick Ave.)
12 - 6 PM, PWYC

Zine Dream is a small press art fair with over 50 vendors of hand made arts and crafts, zines, prints, and more!

It will also feature:

Toronto Zine Library Open House/Collaborative Zine Making Workshop!

A Bake Sale!!

performances by

Nick Flanagan (www.toromagazine.com/popculture)
Anna May Henry
Zeesy Powers (http://www.zeesypowers.com/)

Music by

Carl Didur (http://www.youtube.com/watch?v=vfh0eQxa4mM)
Andre Charles Theriault (http://www.myspace.com/andretheriault)
James Anderson
Braintrust (electronic duo of Peter Thompson and James Kirkpatrick!!)

&

Wes Allen (http://doingittodeath.wordpress.com/)
Boner Dragon (http://offwhiteto.blogspot.com/)
and DJ Body Beautiful (http://robertdayton.blogspot.com/) will be DJing in the main hall all day!

YOU DON'T LOVE ME YET



My band WET DIRT is playing this. I really love this Roky Erickson song from the 80s, hard to believe that it is from the 80s, so timeless. Something about this song, so direct yet with an opening line "Lightning never strikes anymore..." Pure emotion.
Anyways, it's free, it's this Saturday at 3 PM at Mercer union (1286 Bloor Street west) and it's the last day to catch Sarah Gregg Millman's art show as well.
Info:
Toronto-based musicians and artists will perform an evening of Johanna Billing’s ongoing project, You Don’t Love Me Yet. Fascinated by the ritualized potential inherent in performing cover versions of pop songs, Billing conceived a concert format based on one song only, to be interpreted by lo cal artists, bands, and groups. Taking its cue from Texas psychedelic rock legend Roky Erickson’s original 1984 version of the song, Billing has reinterpreted the logic of longing and longevity and decentralized the ideal of a single performance or solo performer, creating instead a rolling series of performances based on localized aesthetic sensibilities.

Each performance is videotaped and subsequently becomes the backbone to an archival instal lation of a “neverending tour” of You Don’t Love Me Yet. Beginning as a concert tour in multiple Scandinavian art institutes around 2002, Billing’s reformatting of the song has since been per formed over a hundred times in locations worldwide ranging from museums, galleries, music clubs and art fairs.

JURY


Photo still by Jessica Eaton from the upcoming feature "Leslie My Name Is Evil."

MALE MODELS NEEDED...

...say the signs all over town and I cry because I am tooo old....tooo old...too pudgy....too bald.

But I really do need only two more male artists for the project that I have posted details of in a recent post. I have found more than enough female artists but I guess the boys are shy. And, no, one doesn't have to be nude for the shots, this work is not trying to do empty NYC skater-infused photo art circa 2001, that ain't the crux. The photos are for research purposes only.
I am still trying to determine if I should render these large drawings in pencil as a more 'fine art' thing to go with the theme of the show or in my usual pen-and-ink with possibility of watercolor. Feedback? thoughts? Since I am blogging i may as well get more intimate and interactive and ask you guys...
And if you know of any male artists let me know ASAP!

Once More For FEELINGS


Last one...sighhh...press release below...

FINAL SUNDAY AUGUST 2nd
THE OSSINGTON (61 OSSINGTON STREET)
NO COVER! 9 PM-Late
With D.J. Body Beautiful and a midnight candlelight night recitation by Robert Dayton, Junior


We have been given a mild reprieve of one week before the Ossington shuts its’ doors on Sundays entirely for the rest of the month of August. Yes, this is the last Sunday. Will we be back? It’s not up to us. Allow us to put it thusly, we believe in The Multiverse so, even if we don’t come back in this universe, we will return in other universes. In another universe we are a multi-coloured Princess indulging in bon bons while whistling- no mean feat.
Speaking of segues, for this final Sunday we are going to get rather self-indulgent by playing a plethora of whistle music! That’s right, platters of music with whistling. We don’t know how to whistle ourselves so we have records that do it for us. Those who can’t, deejay. We implore you to come!
We will also be selling the latest edition of our self-help booklet Y2K Compatible for just 2 dollars. It is the bleakest edition yet: to suit the times.
Many people who have not previously attended have wondered what a Recitation is? It is a classic form that we have torn asunder with a fervor most Biblical, and all the subtlety of a cascading butterfly, to render spontaneous, going against its’ very name. It is a unique mix of eleven herbs and spices that remain a pathetic secret through unlabeled flavour packets. It is your Mother’s beckoning teat. Powerful.

Bask in them....
FEELINGS is a special night where we spin music that you probably won’t normally hear. A boutique mix of :
ELUSIVE DREAMINGS/PRIVATE PRESSINGS/BALD HEADED BALLADEERS/FREE FORMS/CAN CON CONCRETE/B SIDE EXCURSIONS/ELECTRONIC PRIMITIVA/EMOTIONS/EURO HORRORS/INTENSELY PERSONAL VISIONS/DEEP PSYCH/UN-EASY LISTENINGS AND BALLADS/PRISON SOUNDTRACKS/FANTASTIC JOURNEYS OF WONDER/ACTOR AS SINGER/
ORGAN-ISMS/NEO-BAROQUE
With a midnight candlelight night recitation by Robert Dayton, Junior
This will be ...special.

Male and female artists with studio spaces needed as research for project.

Needed: male and female artists with relatively conventional studio spaces in the GTA to volunteer for photo documentation to be used as source material for 6 large pen and ink works on paper entitled "STUDIO VISITS." Yes, this is art about art.
These drawings will depict the artist naked but the artist will not need to pose naked for the photo source material if they don't want to. Yes, clothing can be worn so long as it's not in the ultra-baggy skater/hippy/pigeonholing etc style. I prefer to depict 3 males and 3 females. Whether the artists themselves will be exactly represented is, as yet, to be determined. Their works will NOT be depicted. In fact, any materials will be rendered completely blank as this series will be more about the give-and-take relationship between artist and dealer/gallery owner/curator/intruder/patron.
Note: by conventional, I mean that the completed pieces have to convey to the viewer that it is definitely a studio space without any of the artists' work represented.
Feel free to forward this note.
E mail: Robert Dayton at moustachedpainless@yahoo.com if you are interested and have any questions.

Last FEELINGS ever... or just for July?


FEELINGS
FINAL TRIAL SUNDAY JULY 26th
THE OSSINGTON (61 OSSINGTON STREET)
NO COVER! 9 PM-Late
With D.J. Body Beautiful and a midnight candlelight night recitation by Robert Dayton, Junior


Yes, this is the last Sunday. For our trial basis or for good? YOU decide! If it ends, it ends but use the money you save on cover for that bottle of scotch that is on the top shelf of The Ossington this Sunday. It all comes down to sales. For love. And honour.
For this possibly final night I will be spinning a special set of songs about France! Love letters from afar! Ever been? Never but why go when you can get the sensation here for cheaper than rare cheese.
I will also be selling the latest edition of my self-help booklet Y2K Compatible for just 2 dollars.
What happens at FEELINGS? See minutes for July 19th from our Facebook group and printed below...
Bask in them....
FEELINGS is a special night where we spin music that you probably won’t normally hear. A boutique mix of :
ELUSIVE DREAMINGS/PRIVATE PRESSINGS/BALD HEADED BALLADEERS/FREE FORMS/CAN CON CONCRETE/B SIDE EXCURSIONS/ELECTRONIC PRIMITIVA/EMOTIONS/EURO HORRORS/INTENSELY PERSONAL VISIONS/DEEP PSYCH/UN-EASY LISTENINGS AND BALLADS/PRISON SOUNDTRACKS/FANTASTIC JOURNEYS OF WONDER/ACTOR AS SINGER/
ORGAN-ISMS/NEO-BAROQUE
With a midnight candlelight night recitation by Robert Dayton, Junior
This will be ...special.

July 19th MINUTES:
Smoke machine had fresh juice and long stem roses abounded thanks to Jubal, Anna Mae set up the Jesus lamp, "Leave Her To Heaven" and "Shock Corridor" were projected thanks to my special guest DJ Dorleac whose fine mix of music included Heino, Petula Clark's version of Rain, my fave Bobby Darin song, a great Honeycombs B side, some intense Bollywood, and the soundtrack to the Cook, His Thief, Her wife, Her Lover- a movie that Dorleac does not like but is warm towards the music.
A special lamp was set up by Jubal for heightening effect during my Recitation. Lorenz turned it on. I thanked all for coming then took requests for topics. Gwen quickly suggested self-esteem , probably knowing full well that it was my battle that week due to my posting my insecurities on Facebook. I suggested means to raise self-esteem such as putting self-esteem in one's Day planner everyday at 6 Pm so that after sleeping for 16 hours one could feel better, hop in the shower, and scrub using the personally monogrammed loofa with the word "Smile." A small table of -er, i hate to judge- jockish looking people got strangely scared by my low-key Recitation and fled looking like their masculinity was threatened. For shame, as the recitation ended shortly after, maybe they'll be back. For Gwen's suggestion she received a long-stemmed rose. It truly was her night as last week she requested some Laura Nyro and The Poppy Family. I had found some Nyro on the street this very day for 50 cents! I brought my autographed Poppy Family in as well, such a perfect album, I could have played the entire thing!
For music, I kicked off with "To you with love", a Canadian Rod mcKuen-like album of recitations with dandy synths, LP given to me by Kevin Howes- and , yes, a single rose is on the beige cover. Then into selections from "Never Talk To Strangers" described as "A MUST FOR EVERY PARENT AND CHILD" , comes with colouring book, I played some scenarios and the song "Being a kid isn't always easy" sung by a mournful child. Then into The Beach boys' Still I Dream Of It, their most intensely touching ballad from their unreleased Adult Child album. "Don't Forget me" by Nilsson makes me feel the same way, it makes me cry. Ebo Solmaz- Vancouver by Night. Pretty much half of The Sweet- Level Headed album including a very synthy instro and "Love Is Like Oxygen."Metro- Criminal World, Francois Hardy- Chanson Noire (from her early 70s one night stand themed album), Lou Reed- the Bed, Les Baxter- Hate (from "The Passions"), Porter wagoner- Comes and goes, the Geraldine Fibbers-Get Thee Gone, Moby Grape- Horse Out In The rain, Terence Trent D'arby- To love Someone deeply, The Kinks- Morning Song, Suzanne- Shendah, Scott Walker- Dealer, Boudewijn de Groot- De reiziger, The Mauriora Maoris- A Million Stars, Milan Kymlicka- If I Let you Go, The wandering Stars- I'm Posion, Lucien hetu- Steppin Stone, The monkees- it's Not too late (from their 90s album JUST US), The Soule Setters- Cecil, the unwanted French fry, Think- Once you understand,Rosemary collins- Nevernding Love For You, Willie wilson- Before the next teardrop fall, Bobby Brown- Lonely boy No More, Jim Copp and ed brown- The duck, the tiger, the shrimp and the owl, Louis nye- heigh ho Steveo...and we had a special guest crazee rap by that guy people see all the time....

HIT LIST

Long-time between posts...
I got into a funk. See, I take (and need) criticism but I take it hard! So my period of "How's My driving?" turned into self-pity due to a large and fragile ego that I keep floating on a string attached to my sleeve.
So if anyone's reading I apologize.
In other news, and in Tony Randall fashion, I was asked to be a last minute replacement for a thing called Hit List where i list five current faves of any variety. I hate limiting such things to five and also having to use brevity due to word count (I edited out all personal asides and kept it quite straight forward) but it was a nice opportunity to give props.
Here:
http://www.akimbo.ca/hitlist/?id=42

I'll try to talk soon, my next funk is not due to happen for a month. And I'm still unsure of my 'driving'....

PLAYLISTING....


Mid-projects here, never enuff time....on that trial basis for FEELINGS. Last Sunday was pretty marvelous: showed projections of The Letter with Bette Davis, God Monster Of Indian Flats, and the Japanese movie House. This 1977 film is only available via bootleg but it is so unique and mindblowing. It shattered all senses. Schoolgirls go to a crazy house. It has a very synthy happy soundtrack and lots of amazing camera set-ups and artificiality- much use of stop-motion, painted backdrops, and other effects. It is like candy, very sweet, intense candy. All the schoolgirls have names that correspond to their chief characteristics, ie. the girl named Kung fu. An hour in, the movie gets gory. A girl gets eaten by a piano. Disembodied body parts. Blood spew. Teen nudity. A white persian cat. See House.
I just found a curious 1970 magazine "Scanlan's" with an article about the San Francisco film scene. In particular, The Cockettes, as well as the director of God Monster Of Indian Flats: Frederic Hobbs. Lucas and Coppola are briefly mentioned as newbies but are not nearly the focus. At the time of this article, Fredric Hobbs hadn't yet made God Monster, a messy film that people describe as indescribable Grade Z but he very clearly knew what he was doing, a total artist. In one scene of this film the characters discuss embryos and birth then cut to: a close up of a hard boiled egg being cracked with a spoon. God Monster takes place in a frontier town and features a mutated sheep monster that may be the key to all creation but much of the film is focused on power and mining rights. It's a provocative film that ends in total carnage on top of the town dump. Hobbs eventually retired from film and turned to sculpture, I'd love to find his other films (Roseland, Alabama's Ghost) and interview him. Look at that amazing photo of Hobbs. WOW!
Also at FEELINGS I did 2 recitations. One was about feeling completely unfixed in landscape, how I truly do not feel like I have a 'home-city' and that beliefs in such can be dangerous anyways (look at all the energy I put into Vancouver). The other recitation was by request, it was about the white squirrel. I discussed how it is not really white, it's grey and does the colour of its' pelt really matter?
I played this music:
Stravinsky- Rite of Spring
Staff Carpenbourg and the Electric Corona- Fantastic Party
Terence Trent D'arby- It Feels So Good to Love Someone Like You
Moolah
101 Strings with Bebe Bardon- Love At First Sight
Michel Polnareff- I Love You Because
Dionne Warwick- Don't Make Me Over
Glen Campbell- Highwayman
Jack Nitzche- Hanging Around
The Eight Seasons Of Chromalox
Willy Wonka and the Chocolate factory- The Wondrous Boat ride
Robin Gibb- Farmer Ferdinand Hudson
Bobby Conn- Without You
Joe Walsh- Inner tube/Theme From boat Weirdos/Life's Been Good
Phantom of the Paradise s/t- The Hell of It (by request)
Sweeney Todd- If Wishes were Horses
Mud- All I've Got To give
The Frogs- Persian Cat
Lewis Furey- The Sky Is falling
Phil Ochs- My Life
The 5th Dimension- Orange air
Jerry Toth- Last Tango in Paris
Frank Sinatra jr- Black Night
Telly Savalas- Something
John Phillips- April Ann
Hank- Exclusive Plot
Dolly Parton- Bargain Store
Skafish- Maybe One Time
Richard and Linda Thompson- Wall Of Death
The Fugs- The Garden is Open
Peggy Lee- Mary Jane
Leonard Cohen- Death of A Ladies Man
Chuck Barris- I Know A Child
The 4 seasons- The Night
Hugo Montenegro- Rocket Man
Unrest- London's theme
Thinking Fellers Union local 282- Hurricane
Butthole Surfers- Whirling Hall of knives
More Soul Sauce- Sabre dance
The Super Dupers- March Of Tarzan
Mondo Cane soundtrack
CroMagnon- Caledonia
Joe Hunter- Aloha
Marvelous Grace- Sitting at the feet of Jesus
Kathleen Yearwood- excerpt from "Opponent"
Mitchell Ayers- Number 7 theme
Rhonda Silver- Departure
Herman's Hermits- The World Is for The young
The Robert Tennison Troupe- my World Of make believe
Joseph Geczy- Falling leaves
Ginette Revel- Ou Irons Nous
Robie Porter- He Is not He
The Happy Moog- Re-entry to the Moon
Rodd Keith- Cloud Nine

This Sunday offers:
For this “fiery trial” of sensory exploration we would like to welcome D.J. Dorleac as a guest to our salon for the eve of Sunday July 19th. She has not DJed in over four years which will make for a barrage of pent-up vinyl emotions. Her extended set will hit a tense peak when her nicotine cravings set in. Her wry sensibility is imbued with a sense of honest warmth that emanates softly from deep within.

With DJ Body Beautiful, midnight recitation by moi, no cover, 61 Ossington Street
Trish Lavoie is DJ Dorleac
Once aptly described as "bourgeois without ambition", DJ Dorleac is a woman of quality tastes, varying degrees of talent, and a lot of charm (for when "talent" and "taste" don't pan out). In a pinch she will make you a pie or perform a puppet show, but at FEELINGS, she looks forward to soothing your troubled psyche with moog based compositions from the Space Age, bold soundtrack excursions and French ballads not likely to be heard in your nearest "bistro".

WEEKLY FEELINGS


Heyyy folks! I'm going weekly! Check out my lovely poster and press release below!
Please tell all the kids in the neighbourhood (19 +) cuz, man, I really want to turn people on to inspirational sounds and cause expanded boundaries in global vibrations starting at a local level...

FEELINGS
NOW WEEKLY STARTING SUNDAY JULY 5th
THE OSSINGTON (61 OSSINGTON STREET)
NO COVER! 9 PM-Late


Most of society crumbles listlessly from Monday to Friday thus followed by weekend excesses to numb or mask this depression-stemming drudgery. Although we here at FEELINGS do not experience this vicious pattern, due to the fact that we are overly-sensitive lay-abouts, we most certainly empathise. And that is why we have been given the opportunity to GO WEEKLY! That’s correct, starting Sunday July 5th we will be operating on a weekly capacity to help you better get through this mortal life!

For this “grand reawakening” of sensory exploration we would like to welcome PLAN as a guest to our salon for the eve of Sunday July 5th. PLAN is an unemployed alcoholic jet setter. Collecting records for over 3 decades and publicly playing them for at least one. With current residencies on the west coast (SPICE) and Toronto (SLURM) he is always on the go. For "Feelings" PLAN’s alter ego DJFUNERAL will be warming up the decks with gris gris, swamp majic and other remedies....

Bask in them....
FEELINGS

With DJ Body Beautiful
And for this brand new night we present our rotating guest DJ:
DJFUNERAL

FEELINGS is a special night where we spin music that you probably won’t normally hear. A boutique mix of :
ELUSIVE DREAMINGS/PRIVATE PRESSINGS/FREE FORMS/CAN CON CONCRETE/B SIDE EXCURSIONS/ELECTRONIC PRIMITIVA/EMOTIONS/EURO HORRORS/INTENSELY PERSONAL VISIONS/DEEP PSYCH/UN-EASY LISTENINGS AND BALLADS/PRISON SOUNDTRACKS/FANTASTIC JOURNEYS OF WONDER/
ORGAN-ISMS/NEO-BAROQUE
With a midnight candlelight night recitation by Robert Dayton, Junior

This will be ...special.

To Hurting People

Since we are struggling with pain, even at this moment, we have first hand knowledge of what it is like to experience the silence of God. Sometimes the immense loneliness of pain-whether physical, mental or emotional-is completely overwhelming!
As you listen to us spin, let the music wash over your brokenness as great healing waves of God’s merciful love until you hear the music once again.

From our hearts to yours,
D.J. Body Beautiful...and our new special friend -----D.J.FUNERAL


D.J. Body Beautiful is Robert Dayton, a personality of living flesh and blood. Robert regularly contributes illustrations, features, obits, and quips to Roctober, Cinema Sewer, Free Drawings, and Broken Pencil, as well as the books “Lost In The Grooves: Scram’s Capricious Guide to the Music You Missed” and “Nog A Dod: Prehistoric Canadian Psychedooolia.” And as an artist he exhibits fully. Robert is a performer and songwriter with: WET DIRT; melodramatic glitter rock act Hallmark; defunct acid downer folk trio Points Gray; legendary longtime lucidly malleable act July Fourth Toilet; modern song and dance duo Canned Hamm. As an actor Robert Dayton starred in the feature “Male Fantasy” , a shelved Hillshire Farms commercial, and appears in the upcoming “Leslie, My Name Is Evil”. Due to his candour he has been a Master of Ceremonies as himself and as other bizarre personae. As D.J. Body Beautiful he will console you.

PRETENSION IN COMIC BOOKS

Hello everyone. Sorry no pics. Just text as I blather about comic books! I'm visiting montreal so it's a tad tuff!
Much has been written about pretension towards comic books. I never thought it still existed (see: my last post). I read comic books on the city bus and don't care! Of course, it used to be a bigger deal. There is more of an understanding that much of this bastard medium is crap- just like any other medium: music, art, film, writing, slumber parties, condo development. In other words, there are some very good comic books out there amidst the junk being discovered and rediscovered.
Comic books have a bid for respect. Movies now adapt the super hero genre because CGI can now make Wolverine's claws look like CGI.
Annnnd comic books are pretty much not called comic books. I lectured last year for two graphic novel classes at Emily Carr. The phrase 'graphic novel' has replaced 'comic book.' Is one better than the other? No. Comic books are still essentially leaflets while graphic novels are in book form, usually more pages (tho compare the Ice Haven book to the Eightball comic book from which it was taken: the comic book worked better in flow and structure and was one fifth the price yet the graphic novel sold way more copies) , sometimes trade paperback, sometimes hard cover. it is mostly case of formatting that has allowed comic books to enter the public library system, book stores, and art schools! This has made people realise the freedoms involved in comic books: freedoms outside of genre. That it's not all superheroes.
Last Summer, the shoddily curated KRAZY! exhibition opened at The Vancouver Art Gallery. It was shoddily curated for numerous reasons that I won't go into here but one thing I noticed was that the comic book section was overly conscious of remaining outside of genre. They messed up though. Pages from a Harvey Kurtzman war comic were included. This was war genre. And they were the only pages that had actual dynamism! These pages burst from the walls while the others-as great as they were (Chris Ware, Dan Clowes, Justin Green) lay flat. Someone later pointed out to me that the other genre that was included was autobiography: this is not recognised as pulp genre however so it may be perceived as 'above all that doggerel.'
This show had a disdain for mainstream comics, it seemed to poo-poo them.
I was recently on a panel at The Toronto Comic Art Fair. Note the word 'art.' The panel was to discuss the more interesting mainstream comics of the Silver and Bronze Age. We only had an hour time slot that was deftly turned into 45 minutes due to technical difficulties.
We discussed Batman: Year One, Jim Steranko, and Jack Kirby with a focus on his 2001 comic book. The discussion was unfocused but I was there to try to turn people on to stuff that they may have overlooked! I especially wanted to talk about my favourite mainstream writer Steve Gerber as well as the unknown Manny Stallman who did curiously expressionistic super hero tales in the back of the late 60s comic book THUNDER Agents (which combine the super hero and spy genres). However, time was taken up by one audience member insisting that the only thing these mainstream comcis had to offer was visual appeal and zero literary merit! He was adamant and refused to budge. He wouldn't stop talking and we had to defend ourselves as opposed to showing interesting works. And he was a comic book fan.
If my girlfriend wanted to get into comics I would never plop a super hero, war, or western comic in her lap (though she really likes romance comics). I would show her stuff outside of genre as a perfect gateway. That's understood.
That said, to completely dismiss ALL genre comics as drivel is unbelievably pretentious!
I now know why some of these old comic book artists and writers didn't talk so much about what they did to random people.

At this comic art fair I attended an awards ceremony which was mostly moving but the audience was also subjected to the cartoonist Seth (not his real name but a pseudonym) going on for twenty minutes about his book design for a retrospective on legendary Canadian cartoonist Doug Wildey. It was very stuffy with lots of back-patting prattle on using a war memorial building as tribute. And the book? It looks like a box of chocolates.

During the day I had met a couple people from Picture Box, currently one of my favourite comic book- er... graphic novel publishers. This company is pushing the artistic boundaries of the form. Some of their publications are essentially lavish art books. They have also rejected any notion of canon by putting out their "Art Out Of Time" books (note the title) that reprints various overlooked cartoonists' works through the ages. Meeting them at The Toronto Comic Art Fair, I found two of them (one was incredible and candid, I must add) to be incredibly aloof and full of themselves in a 'my shit don't stink' kind of way. Most people at the fair weren't like this but I did find this meeting significant. As comic books establish themselves further as an art form they get more pretentious and as great as respect is, this pretension saddens me.

LOVE LETTERS







Done for a Love Letter show at 107 Shaw. The one with the red heart on it was made specifically for my girlfriend and does not utilize ye olde unreliable narrator perspective that the others do- tho I would not hesitate to take my lady to an Art Garfunkel double bill: a dream bill if there ever was one, if you haven't seen these bum trip movies, see them together! I should here mention that two of my best movie dates were to see Peeping Tom and Happiness.